
I love the new Metro’s I love going on them and having a ride on them a lot of the time too. These’re are what the new Metro’s look like and they go a lot faster than the older Metro’s do too.
Weevl Bloggers Corner

I love the new Metro’s I love going on them and having a ride on them a lot of the time too. These’re are what the new Metro’s look like and they go a lot faster than the older Metro’s do too.


These are The Halloween things I made and designed last Friday in The Create Of Art Session with Katie in Susan’s room.
i’m going to Kirby Lonsdale next week. I am looking forward to this.


I have just been singing this song on the karaoke in The Hall too it is one of my favourite songs I love listening to the song in my music library on my iPhone with my Sony Headphones on and sometimes with my Airpods Headphones on when I am out and about walking. It is the Wwe Summerslam 2018 theme song from when I was thirty one years old when I was in my early thirties when I was younger and it is AJR Burn The House Down.

I have just been singing this song on the karaoke in The Hall it is The Black Keys Go I love listening to the song in my music library on my iPhone with my Sony Headphones on and sometimes with my Airpods Headphones on when I am out and about walking. It is also the Wwe Summerslam 2019 theme song from when I thirty two years old when I was in my early thirties when I was younger.

I have just been singing this song on the karaoke in The Hall too it is one of my favourite Bee Gee songs it is Tragedy. The song came out and was released in 79 it was February 1979 before I was born. I love listening to the song in my music library on my iPhone with my Sony Headphones on and sometimes with my Airpods Headphones on when I am out and about walking.

I have just been singing this song on the karaoke in The Hall too it is one of my favourite Bee Gee songs it is Spicks And Specks from 1966. The song came out and was released in September 66 before I was born. I love listening to the song in my music library on my iPhone with my Sony Headphones on and sometimes with my Airpods Headphones on when I am out and about walking.

I love this song from when I was little it is Gala Freed From Desire from 97 I have just been singing it in The Hall on the karaoke here at NTDF. The song came out and was released in July 1997 when I was ten years old when I was in class seven at Glebe School when I was little. I love listening to the song in my music library on my iPhone with my Sony Headphones and sometimes with my Airpods Headphones on when I am out and about walking.

I am looking forward to watching this really old Wwe NXT pay per view on Netflix sometime soon. It is Wwe NXT Takeover Wargames 2017 it was on Saturday the 18th November 2017 when I was thirty one when I was in my early thirties when I was younger. It is on for 2 hours and 30 minutes 2 and a half hours.
The British government mobilised civilians more effectively than any other combatant nation. By 1944 a third of the civilian population were engaged in war work, including over 7,000,000 women.
Minister of Labour Ernest Bevin was responsible for Britain’s manpower resources. He introduced the Essential Work Order (EWO) which became law in March 1941. The EWO tied workers to jobs considered essential for the war effort and prevented employers from sacking workers without permission from the Ministry of Labour.
Bevin was also responsible for overhauling the reserved occupations scheme that gave groups of skilled workers in certain occupations exemption from military service.
Art

Image: IWM (Art.IWM ART LD 2850)
Ruby Loftus had been brought to the attention of the War Artist’s Advisory Committee as ‘an outstanding factory worker’.
Artist Laura Knight had originally expected to produce a studio portrait of Miss Loftus, however, the Ministry of Supply requested that she be painted at work in the Royal Ordnance Factory in Newport, South Wales.
Here we see 21-year-old Ruby Loftus making a Bofors Breech ring, a task considered to be the most highly skilled job in the factory, normally requiring eight or nine years training.
Ernest Bevin met with Ruby Loftus during a visit to No 11 Royal Ordnance Factory in 1943.

Image: IWM (HU 36287)
Women working in a Royal Ordnance Factory prepare for their shift in the “beauty parlour”.
From early 1941, it became compulsory for women aged between 18 and 60 to register for war work. Conscription of women began in December.
Unmarried ‘mobile’ women between the ages of 20 and 30 were called up and given a choice between joining the services or working in industry.
Pregnant women, those who had a child under the age of 14 or women with heavy domestic responsibilities could not be made to do war work, but they could volunteer. ‘Immobile’ women, who had a husband at home or were married to a serviceman, were directed into local war work.
As well as men and women carrying out paid war work in Britain’s factories, there were also thousands of part-time volunteer workers contributing to the war effort on top of their every day domestic responsibilities.
Other vital war work was carried out on the land and on Britain’s transport network.